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Canon EF 100mm f/2.8 L IS USM Macro Lens

 

This is the first lens to employ Canon’s new Hybrid IS technology that can compensate for more types of camera shake; it uses an extra “acceleration sensor” to correct for both shift and angular movement for sharp hand-held photos, even at high magnification.

This L-series lens is superior in other respects too, including the Ultra Low Dispersion glass elements, 9-blade circular aperture, three-position focus limited switch, and rugged, well-sealed construction.

  • Compatibility: All EOS SLRS
  • Focusing: MF and AF
  • Filter Size: 67 MM
  • Dimensions / Weight: 78 X 123 MM
  • 625 G
  • Other: New Hybrid Stabilizer Internal Focus
  • Optical Formula: 15 Elements, including 2 UD
  • Angle of View: 23.4 Degrees
  • Minimum Focus: 0.3 M
  • 1X Max. Magnification
  • Accessories: Lens Hood Included
  • Accepts EF Extension Tubes

This lens provides gorgeous clarity; the contrast is perfect. The sharpness is amazing, albeit your DOF is razor thin at 2.8. Yet, even wide open, the lens is extremely sharp.

Specifications

Focal Length 100 mm
Aperture Maximum: f/2.8
Minimum: f/32
Camera Mount Type Canon EF
Format Compatibility 35mm Film / Full-Frame Digital Sensor
Canon (APS-C)
Angle of View 24°
Minimum Focus Distance 1′ (30.48 cm)
Magnification 1x
Maximum Reproduction Ratio 1:1
Groups/Elements 12/15
Diaphragm Blades 9
Image Stabilization Yes
Autofocus Yes
Tripod Collar No
Filter Thread 67 mm
Dimensions (DxL) Approx. 3.06 x 4.84″ (7.77 x 12.29 cm)
Weight 1.38 lb (625 g)

Sample Shots

The IS for hand-held macro shots of flowers and bugs is astounding.

Super Sharp, Amazing Backgrounds

This lens is extremely sharp, especially at the apertures I normally shot at. (f8-f16). Great bokeh. It is also great for any other wildlife that might just happen by.

Bottom Line

It is a lightweight L series lens and can be used for macro as well as telephoto. It is a fast lens at f2.8 and has image stabilization so that in cases where I might not be able to get my tripod out in time, it can be handheld and still provide excellent results.

Review by W. Dwyer (Amazon.com)

I currently carry the following lenses and have been using them since the noted purchase date:

  • 17-40mm f/4L (Sep2010)
  • 40mm f/2.8 STM (Aug2012)
  • 50mm f/1.4 (May2010)
  • 100mm f/2.8L IS Macro (Jan2011)
  • 70-200mm f/4L IS (Feb2012)

I could go back and forth between this 100mm Macro and the 70-200mm f/4L IS on which lens is more optically impressive. It makes little sense to compare the two lenses directly since they are designed with different purposes. However, anyone familiar with this macro or the 70-200mm can appreciate that I hold both lenses in similar esteem.

Obviously, as a macro, this lens is designed with the ability to reproduce objects at life size on the camera’s image sensor. The lens excels at this task tremendously with regard to optics and handling. Being completely new to macro photography at the time of purchase  my initial thoughts about the hybrid IS system were mixed – Although the system functions as designed, I had to admit that I still found a tripod to be absolutely essential for true macro shots.

The manual focus system was rightly given a build standard higher than most lenses. The large size of the focus ring (relative to lens axis) combined with the fine gearing of the focus mechanism makes manual focusing efficient and precise.

The auto focus includes a switch that locks out certain focus distances to eliminate unnecessary focus hunting and to improve focus speed (options include full range, 0.3m-0.5m, and 0.5m to infinity).

The autofocus speed itself is acceptable but not remarkable (and is USM driven and quiet). However, as this is not a lens designed with action shooting as a priority, I will happily give up some autofocus speed for the gain in precision.

Since my initial impressions were formed, I have adapted reasonably well to the practice of combining the hybrid IS system with my 7D’s continuous focus for handheld shots. After learning to use this technique efficiently (which isn’t quite as simple as picking settings and going shooting), I am capable of handheld “near macro” (not quite 1:1) shots that I’m not embarrassed for others to see. I’d still consider a tripod (or support of some kind) to be essential for true 1:1 macro shooting.

Early on in my ownership (before I established a workable hand-holding technique) I was telling people to simply buy the non-L/non-IS 100mm Canon macro lens. Since that time, I have changed my advice to “buy the L if you can afford it but you won’t regret buying either lens”.

Incoming search terms:
  • Canon EF 100mm F2 8 L IS USM Macro

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